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“You
have to find something that you love enough to be able to
take risks,
jump over the hurdles and break through the brick walls
that are
always going to be placed in front of you. If you don’t
have that
kind of feeling for what it is you’re doing, you’ll
stop at the first giant hurdle.”
–
George Lucas
Pursing
what it is you love requires courage, especially when it is
a career in the arts. There are various aspects of this work
that is unconventional, which often entails many challenges.
Because artists typically don’t have to clock in at
9 am at an office and may work during the midnight or early
morning hours, he or she must be self-motivating. The artist
must learn to manage anxiety around sporadic income in order
to stay focused on their career without vacillating. They
most often face the constant evaluation and criticism of their
work requiring an emotional armor to survive repeated rejection.
They face the challenge of continued perseverance when they
are plagued by periods of creative block, which gives rise
to self-doubt or fear of failure. The creative person may
also lack the support from friends and family who believe
their work is more a hobby then a “real job.”
A career in the arts may not always run smoothly and does
not come without obstacles. To choose to do what it is you
are passionate about and believe in requires perseverance,
a quality necessary to enable the artist to endure challenges
when they arise. Rather it is external or of their own making
they are merely roadblocks and simply require working around
or through them in order to move forward.
The
most common hindrance is perceiving circumstances in negative
ways. Commonly referred to as Negative Self-talk or Cognitive
Distortions, they are often self criticizing, self-defeating
and discounting statements that loop repeatedly in our head.
Here are the most common
types:
- All-or-Nothing Thinking
Interpreting things through a black and white lens. In
other words, it’s either this or that (success or
failure) but nothing in between. For instance, if your
art or manuscript falls short of being accepted, you automatically
access that you are a failure and will never succeed in
your career. Another example is that it either has to
be absolutely perfect or it’s considered unworthy
to show anyone.
- Overgeneralization
You experience a single negative event and use that to
make a generalization about your career. For example,
you experience a dry month of little or no creative inspiration
and make the assumption that you have lost all your creativity
and never be able to create again. Therefore, you shouldn’t
bother pursuing your dream of being a writer and conclude
it was a bad idea to begin with.
- Discounting the Positive
This is when you over look or don’t stop to validate
your own successes or the little accomplishments along
the way. For instance, you get a great review on your
exhibit, but you say, “Yea, but that really wasn’t
my best work and besides, the critic doesn’t know
what she’s talking about.”
- Should Statements
You beat yourself up by telling yourself what you “should”
or “shouldn’t do”, hoping it will motivate
you, but instead it results in feeling guilty or self-defeating.
An example of this are statements like, “I should
have more completed screenplays by now, I ought to spend
more hours writing,” after having already spent
40 hours that week. Or, “I shouldn’t have
wasted all that time going back to school, that is why
I’m so behind in my career.”
- Personalization
You take a negative external event and believe you are
some how the cause of it. For instance, a gallery decides
to cancel an exhibit of various artists and you believe
it was solely because the pieces “you” submitted
were so bad they decided to cancel it entirely.
These types of negative
self-talk can be damaging to one’s motivation and self-esteem,
resulting in paralysis and encumbering one’s ability
to work through the obstacles. However, there are ways to
counteract such cycles of negative thinking. The first step
is becoming aware of the negative dialog cycling over and
over in your head. Once you’ve gained awareness, you
are then able to catch it when it’s happening so they
are no longer operating on a habitual unconscious level. Catching
it allows you the opportunity to choose an alternate statement
to replace the negative thought. For example, instead of “No
one will accept any of my screen plays therefore, I will never
succeed as a writer,” you replace it with, “My
screen plays are good enough to be accepted, it’s just
finding that right situation.”
A quick and easy exercise is to create two columns on a piece
of paper. The first column consists of all the negative statements
you tell yourself on a regular basis. The second column is
the alternative statement that replaces each negative one.
List as many as you can. It’s important to flush them
out in order to catch even the ones you are entirely unconscious
of.
After practicing replacing old thoughts with healthier ones,
it eventually becomes second nature. As a result, you not
only cultivate your own resource of self-encouragement, but
you will create a more positive outlook about yourself as
an artist and towards your work. This will better equip you
to face any hurdles in your career with the courage to find
ways to resolve them verses throwing in the towel.
Published on emptyeasel.com
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